THE TITLE
Sir David Hare's latest political drama - developed earlier in 2004 during workshops in the National Theatre's studio - takes its title from a throwaway line from the US defence secretary, Donald Rumsfeld, explaining the looting in Baghdad. ("Stuff happens... and it's untidy, and freedom's untidy, and free people are free to make mistakes and commit crimes and do bad things.").
How does the world settle its differences now there is only one superpower? What happens to leaders risking their credibility with sceptical publics? From events which have dominated international headlines for the last two years, David Hare has fashioned both a historical narrative and a human drama about the frustrations of power and the limits of diplomacy.
THE STORY
The starting point for the play was a letter sent to the then US president Bill Clinton in January 1998, in which the neo-conservative group 'Project for a New American Century' urged the adoption of a new strategy "that would secure the interests of the US and our friends and allies around the world." The 40 signatories, who included Dick Cheney and Donald Rumsfeld, wrote "That strategy should aim, above all, at the removal of Saddam Hussein's regime from power... That needs to become the aim of American foreign policy." On March 20th 2003 a coalition led by the United States and Great Britain began military operations to depose Saddam Hussein.
THE AUTHOR
Interview with David Hare (Front Row, BBC Radio 4, January 2008)
Sir David Hare's profile (The Guardian, February 2004)
Sir David Hare interviewed by John Tusa on BBC Radio (scroll down the alphabetical list)
Stuff Happens had its New York Premiere on 28 March 2006 at the Public Theatre.
Read an interview with David Hare from the New Stateman.
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Stuff Happens doesn't aim to uncover new and shocking facts. What it aims to do is, in a sober fashion, set out the story of the two or three years leading up to the declaration of war and to ask 1,200 people every night to think about it and feel it in a more focused fashion, collectively and more deeply than they are able to do simply by reading the accounts day by day in the newspapers.
We're not journalists, we're theatre people. Our job is to engage the audience in passionate and visceral response, which journalism, even at its best, doesn't aspire to.

Director Nicholas Hytner |
POLITICAL DRAMA on the London stage in 2004:
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Guantánamo: 'Honor Bound to Defend Freedom' - documentary-play on the prison camp at the U.S. naval base in Cuba.
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Embedded - black comedy about a team of journalists travelling with the US military during the Iraq war. Written an directed by Tim Robbins.
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Follow My Leader - satirical exploration of the Blair-Bush relationship. Box Office hit at the Hampstead theatre.
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