TROILUS AND CRESSIDA

Author: William SHAKESPEARE

Venue 1: Royal Shakespeare Theatre, Stratford-u/Avon
Dates: 19 July to 4 October 1996
Opening Night: 24 July 1996

Venue 2: Barbican Theatre, London
Dates: 28 november 1996 to 25 March 1997
Opening Night: 4 December 1996

Producer: Royal Shakespeare Company
Director: Ian JUDGE
Set Designer: John GUNTER

 MAIN CAST:

Troilus Joseph FIENNES*
Cressida Victoria HAMILTON*
Achilles Philip QUAST
Patroclus Jeremy SHEFFIELD
Ulysses Philip VOSS*
Priam Griffith JONES
Hector Louis HILYER
* Find updates about this artist's career on our Old Friends Page

SYNOPSIS
For seven years the Greeks and Trojans have been at war following the Trojan prince Paris' abduction of Helen, the most beautiful woman in the world, from her Greek husband Menelaus. The besieging Greek army is encamped under the walls of Troy and, at the point at which the play begins, the war has reached stalemate.

The Greeks are quarrelling amongst themselves. Achilles, their greatest champion, refuses to fight and has withdrawn to his tent with his lover, Patroclus. Ulysses tries to entice Achilles back to the field by arousing his jealousy against Ajax, a rival warrior, whom he acclaims as their new hero and elects to meet Hector, the Trojan champion, in single combat.

Equally at odds with themselves, the Trojans are debating the value of continuing the war merely for the sake of keeping Helen. Hector declares her not worth the lives she costs, but when his brother Troilus contends that honour demands they continue to fight for her, Hector is brought round to his point of view.
Although the single combat between Ajax and Hector ends in a show of amity, hostilities are resumed the following day.

Troilus, however, is much distracted from these military concerns by his love for Cressida, the daughter of Calchas, a Trojan who has defected to the Greek camp leaving his daughter in Troy. The young lovers are eagerly abetted by Cressida's uncle Pandarus, who acts as their go-between. However, after only one night together they are parted when, in exchange for the captured general Antenor, Cressida is sent to join her father in the Greek camp. Almost immediately she betrays Troilus with the Greek Diomedes, and discovering this, Troilus is plunged into despair.

Despite his sister Cassandra's prophecies of doom, Hector goes into battle and is treacherously murdered by Achilles, who has finally been roused to action by the death of Patroclus. With the fall of Troy certain, Troilus, disillusioned as a lover, assumes Hector's role as the Trojan champion and vows revenge on Achilles. The dying disease-ridden Pandarus is left to end the play.


CHARACTER DESCRIPTION: Achilles
Son of Peleus, King of the Myrmidons, and the sea-goddess Thetis, who dipped him in the Styx as an infant, making him invulnerable except for the heel she held him by. Taught war and music by the centaur Chiron and fed on wild beasts' marrow to make him very strong. His parents, forewarned that he would die at Troy, dressed him as a girl but he was discovered by Ulysses and joined the expedition. His armour, forged by Vulcan, was proof against all weapons.

As Achilles, Philip Quast walks that difficult path between lover and soldier: he poses less than the manly men, but we never doubt his soldierly qualities.

Plays and Players

Troilus and Cressida is remarkable because it is so utterly original - startling, deeply shocking and very, very funny.
(...) Shakespeare has written three very serious studies of how highly the Elizabethans regarded the passionate love between men. In Twelfth Night Antonio is in love with Sebastian (...) In The Merchant of Venice there is another Antonio, who loves with such intensity he's prepared to have a slice of his flesh torn off as a sacrifice for the person he loves. In Troilus and Cressida we have the legendary lovers, Achilles and Patroclus, but Shakespeare doesn't show us exotic behaviour, or indeed anything at all. Eventually, though, when Patroclus is slain by Hector, the thing that changes the course of the Trojan War - and, indeed, the outcome of the play - is one man's passionate emotion as he carries a slaughtered beauty through the field, and then does a shocking thing because he has lost reason. He gets the lads on to Hector. And the most appalling death that can be imagined for a hero is perpetrated by a man who has lost reason because he has lost love. (...) I think the lovers Achilles and Patroclus are in a curious position in the play; pulling together the erotic tone of the play, but also marking the difference between intense crush and great love.

Excerpts from Jan Judge's introductory talk on the first day of rehearsal

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Last modified: 26-Sep-2008

 

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