INTRODUCTION
The White Devil is a sensational tale of Italianate intrigue, steamy passions, dissolute, peremptory men and determined, sensual women, murder and betrayal. It was entirely typical of Webster's times to make a desirable and strong-willed woman responsible for the moral degradation and eventual downfall of a whole series of prominent men.
(Source: Australian programme)
THE PLOT
The White Devil is loosely based on real events which were of great topical interest in Webster's time. Duke Brachiano is in love with Vittoria Corombona, but he is married to Isabella. Vittoria's ambitious brother Flamineo arranges the murder of Isabella and of Vittoria's husband Camillo, to get the rich Brachiano and Vittoria together. Brachiano and Vittoria marry and move to Padua. But the Duke of Florence, Isabella's brother, sets out for revenge.
CHARACTER DESCRIPTION: Count Lodovico
As the play starts, Count Lodovico is banished from Rome for debauchery and murder, but his friends promise to work for the repeal of his sentece. Later in the play he is pardoned and as soon as he learns of the murder of Isabella - with whom he was secretly in love - he vows to avenge her death. Lodovico is the main agent of the revenge and together with Francisco de Medici (the role PQ played in the Sydney production) he belongs to the "avengers" group in the play. |
 Like nearly all the Jacobean Revenge Tragedies, The White Devil is set in Italy. Renaissance England was fascinated by life in Italy and it was a favourite setting for plays. It was known as the centre of European art, the source of man's greatest creative genius, but it was also reputed for the corruption and the debauchery of its courts. |

Even the in-laws henchman, the cut-throat Count Lodovico (Philip Quast) gains a kind of grandeur at the grand guignol denouement, laughing in the face of justice.

Nick Curtis, Evening Standard |

The White Devil may not be England's profoundest play, but it is full of good, old-fashioned action and primal emotions. Everyone is motivated by simple drives such as lust, greed, ambition, honor, and revenge.The chic costumes reflect a society where sex is power and life is cheap.

Philip Anson, theatre critic |
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