New York Sun
6 July 2007
MAMA WAS A ROLLING STONE
by James Bowman

 

In its native Australia, Cherie Nowlan's "Introducing the Dwights" was called "Clubland," and you can see how that title could have been confusing to an American — or British — audience. The clubs of Sydney, where the film is set, feature magicians, ventriloquists, even a guy who imitates bird-songs.

In short, they are leftovers from 1950s-vintage British music hall — or, as we would say, vaudeville — magically preserved in present-day Australia.

Jeanie Dwight (Brenda Blethlyn) is an aging, British-born comedienne specializing in the sort of double entendre humor that used to be thought of as "naughty" but has long since given way to something much more raunchy — and much less innocent.

Somehow she's managed to hang on through all the changes in comedic fashion of the last 30 or 40 years — to hang on, but not to make a living at it. Yet she continues to live in hope. Now, she says, "I'm going to become a gay icon." But when she gets what she considers to be her big break — an audition with Australian television executives — they see her humor as "too phallocentric."

 

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