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I must begin this review in honestly saying it is not my favourite musical in its linear structure that the character of Che narrates and the dancing/singing chorus, representing the people, dramatise. This is the whole style of the show where the music is appropriate for the dancing and background settings but less so vocally with only 'Don’t Cry For Me Argentina' being the one significant song, first sung in triumph and then repeated again in mourning. Grandage creates a flourishing moment with this song as Evita overwhelmingly makes her entrance upstage on the balcony and delivers her message to the people.
The big sensation was bringing Elena Roger from Argentina over to play the part of Evita. Though all the critics are enthused, her tiny size and modulated voice are noted. She comes to life when she dances. Evita needs to dominate the stage with her sensual presence. Roger is almost an engenue with more sensitivity than sexuality. The love scenes with Peron, the persuasive Philip Quast in his over six foot size and glorious deep baritone in his embrace with Tom Thumb Evita are close to satire. But what a fine interpretation to a non- descript part of Peron does Quast give.
