Whatsonstage
11 August 2003
THE SEAGULL
by Stephen Gilchrist

 

Perhaps it was a mistake for Steven Pimlott to stage Chichester's new production of The Seagull in the wide-open space of the main house rather than in the adjoining Minerva studio. In Chekhov's dramatic work, almost all of his characters live in closed boxes of one sort or another, both literal and figurative. They meet and clash because they cannot get away from one another. This unceasing claustrophobic atmosphere and how the characters accomplish (or don't) their escape provides the bulk of the dramatic tension.

[...]

Nina hankers for a career as an actress and a relationship with Trigorin (Philip Quast), whose defining characteristics are his drive to write compulsively, day and night, and a deep concern for his place in the literary canon.

 

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